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About the Artisans

Flipe Chen woking on the manual potter's wheel

Felipe Chen working on the manual potter's wheel

Our exclusive Journey Collection is a unique collaboration between skilled artisans Felipe Chen and Hugo Juarez, master potters from Rabinal, Baja Verapaz, Guatemala. Each piece in this collection is expertly handcrafted from 100% natural yellow clay, free from dyes and chemicals. Shaped on a traditional manual potter’s wheel and finished by hand, every creation reflects the skill and dedication passed down through generations of Guatemalan artisans.
 

The firing process is an integral part of the craftsmanship, taking place in a wood-fired kiln that gradually reaches 900°C over three hours. After cooling naturally, each piece is washed and left to air dry, revealing its earthy, organic beauty. The result is a timeless collection that pays homage to traditional Guatemalan pottery techniques.
 

Under the creative direction of Carol Leon, the Journey Collection has been meticulously crafted, with every detail, from the initial concept to the final finish, guided by a deep respect for heritage and craftsmanship.
Every piece features our signature circular detail on the handles, inspired by ancient Mayan jewelry traditions, linking the past with the present.
 

The Meaning Behind the Journey Collection:

  • Matias: Represents the past and the wisdom of those who came before us 

  • Caminante: Meaning "traveler" embodies the present, the  journey we take each day 

  • The Harvest Bowl: Symbolizes the future, that we nurture and pass forward
     

Each piece is one-of-a-kind, a reflection of the deep connection between past, present, and future.


Explore the Journey Collection
 
and bring home a piece of timeless artistry.

The Journey Collection Pieces on the making
The Journey Collection Pieces Being made
Meet María del Rosario from Santa Cruz, Chinautla.
Maria el Rosario at her workshop

María del Rosario and her family have created several pieces in our collections including The Cantaritos Rojos Collection, Little Clay Floreritos and the Little Clay Pots.

Using locally source red clay, each piece is a testament to both artistry and tradition.

The process begins with crushing raw clay into a fine powder, then mixing it with water to shape by hand. The pieces are fired using natural materials like pine husks, acorns, and firewood. Before drying, artisans carve intricate designs using traditional tools such as shells,
river stones, and citrus leaves.
This meticulous craftsmanship preserves an ancestral tradition, bringing each piece to life.

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María del Rosario and a group of talented artisan women in Santa Cruz Chinautla are deeply committed to preserving their rich traditions, especially the art of pottery making. Their craft is not just about creating beautiful pieces; it's a vital expression of their cultural identity and a means of honuoring their ancestors. Through their dedication, these women continue to pass down this centuries-old tradition, ensuring it thrives for future generations.

At Sendero Decor, we recognize the importance of supporting the women of Santa Cruz Chinautla and their invaluable role in cultural preservation.
Our Mujeres de Barro Collection is a tribute to their artistry and resilience. 50% of the proceeds from this collection go directly to supporting their efforts to safeguard their traditions and ensure that the art of pottery making continues to flourish.

Join us in honouring their legacy and supporting the women who are dedicated to preserving this beautiful tradition.
 

Explore The Mujeres de Barro Collection

Statue of woman holding a clay pot from Chinautla Guatemala

Honouring Abuelito Matias
A Legacy in Clay

Sendero Decor is also a tribute to my great-grandfather, Matias de León Pacheco, and the generations of artisans who shaped the cultural and artistic heritage of Guatemala. A Life Devoted to Clay Born in 1886 in Quiché, Abuelito Matias was a man of quiet strength and discipline, whose hands shaped raw earth into timeless beauty. He dedicated his life to pottery, creating hand-molded nativity figures, oxen, mules, and sheep, as well as vases and pots crafted on a manually powered wheel. His craft was not just a trade; it was a way of life, passed down from generation to generation. Inside His Workshop His workshop was a space of quiet focus, where the rhythmic motion of his potter’s wheel set the pace of his days. The wheel, nearly a meter in diameter, was powered by foot, turning with steady precision as he sat, shaping each piece with patience and care. But his process began long before his hands touched the clay. He prepared his own raw materials with expertise, grinding clay and talpetate into fine dust using a stone mill. By rolling a wooden bar in circular motions, he refined the mixture until it reached the perfect texture. Once ready, the clay was molded by hand or shaped on the wheel, then left to dry naturally under the sun. The firing process in his wood-fueled kiln was a delicate balance, too much heat could cause cracks, while too little would leave the pieces fragile. After firing, he carefully applied oil-based paints and sealed his work with a transparent varnish, giving each piece a smooth, glossy finish. His pottery was sought after by merchants who carried his creations to markets in Guatemala and El Salvador, spreading his craftsmanship beyond his hometown. Yet, despite the reach of his work, each piece remained deeply personal, a testament to his dedication and artistry. A Man of Discipline and Reflection Abuelito Matias followed a structured routine, balancing his work with quiet moments of reflection. His days were spent shaping clay, while his evenings were reserved for listening to the radio, where social commentators discussed injustices, government inefficiencies, and the struggles of everyday people. Sundays were his time of rest. He dressed in his finest suit to attend church, followed by an afternoon at the movies, a simple pleasure he enjoyed. His financial discipline was as meticulous as his craft. Since he earned money only twice a year, he managed his expenses with great care, ensuring he always had enough to sustain his work and livelihood. A Lost Legacy, A Renewed Purpose Like many artisans, his legacy gradually faded with time. His invaluable knowledge and remarkable skills were not preserved, and his craft was lost. Though I never had the privilege of meeting him, his story has left a lasting impression on me. It serves as a reminder of how fragile artisan traditions can be when they are not carefully nurtured and protected. Sendero Decor is my way of supporting today’s artisans, ensuring their crafts like his once was, continue to thrive for future generations. A special thanks to my family and friends who have supported Sendero with their time, efforts, dedication, and stories, helping bring this tribute to life. Thank you for being a part of this journey.

Photograph of Matias de Leon Pacheco
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